Showing posts with label Agra. Show all posts

Epilogue: Notes From Agra


After the tour of the Agra Fort, we opted for an early lunch. By 1pm we were done and not sure what to do next. The Taj Mahal was our final destination before we headed back to the railway station to board our return train at 6.30pm. Even if we pored over every nook and cranny at the Taj, we were sure it would not take 5 hours. How to kill time?

Enter Babloo, our taxi driver.

'Would you like to see the Mini Taj?' he asked us.

That piqued our interest. First Baby Taj, now Mini Taj? How many Tajs were there?

'Well actually madam, the real Taj is open only from 6am to 6pm. The Mini Taj can be viewed at anytime. Especially at night, during rainy season etc'. Made sense. Where was this midget doppelganger?

'Over at the Meena Bazar' said Babloo. That sounded very romantic. I immediately had visions of quaint shops and cobbled streets selling lovely trinkets....all the Mughal stereotypes I had seen in Bollywood films rushed into my mind.

'Ok. Lets go'

A while later, Babloo brought the taxi to a halt in a small, dirty quadrangle with dotted with small shops and spare parts of vehicles strewn about.

'What are we doing here?' we asked.

'Madam, this is Meena Bazar. You go there, you can see the Mini Taj. I don't take any commission or anything. If you like anything, you can also buy it.' The sign above the shop over yonder read 'Gangotri: U.P.Handloom'. A gentleman emerged and beckoned us in.

With the dawning realisation that we stood at the precipice of a con job, we moved cautiously towards the shop. There was really very little else we could do. The gentleman beamed at us and ushered us in.

'We came to see the Mini Taj' we said feeling more idiotic by the minute. Nodding, the man proceeded to shut the shop door. He pointed at the glass cupboard that stood behind us. As we turned, he turned off all the lights and then turned on the cupboard lights.

As we stood transfixed, red, blue, green lights started dancing from inside the belly of a four feet high white marble replica of the Taj Mahal.

'People from all over the world come to see the Taj Mahal. This Taj Mahal is made of 10kgs of marble (I don't remember. It could have been more), was made by 20 sculptors (again, I could be wrong), took 7 months to make and costs 6 lakhs. It is made of pure white marble. See the light coming from inside? Fake white marble is opaque. Real white marble is translucent and glows when light from inside. This is the Mini Taj'.

As the shop lights came back on, we picked our jaws off the floor and looked apprehensively at the shop guy. What next?

'Please come over here sister' he said, leading us to the merchandise displayed at the opposite side. 'What would you like to see? Saris? Bedsheets, footwear? We have saris made of jute, banana fibre and crush proof silk'

As if under a spell, we moved towards to the other side where the man proceeded to show us sari after sari despite our entreaties that we were not interested in seeing or buying anything. But he was determined. 'How about seeing some bedsheets then? We have some very good ones. We have a unique product which is made right here in Agra by the inmates of the Agra Jail -the 'Mosquito Repellent Bedsheets'.

Here is where we made a grave error. S, whose home had a mosquito problem, showed a faint interest. Determined salesman that he was, the shop guy latched on to this smidgen of interest. Out came the sheets in bright yellow and red/brown floral patterns. And I don't know how it came about, but S ended up purchasing two bedsheets.

I wandered away from that counter towards the footwear section. Having witnessed the sale of the bedsheets, the salesman here pounced on me hoping to sell me footwear. He showed me some chappals and said that the leather was so good that it repelled insects, bugs and lizards. I suppose he thought that if mosquitoes worked on one sucker, insects and bugs might work on another. But he went too far with the lizards. Even I didn't buy that.

S had buyer's regret written all over her as we stepped out of the shop. 'I don't like these sheets! They're so loud and ugly!'. I simply collapsed in shrieks of laughter. Were there ever two bigger idiots than us this side of the Vindhyas?(considering we lived on one side and were visiting the other, I think we had the subcontinent pretty much covered)

I have since recounted this episode to several people. It gets funnier with each telling. Its been three months since our trip. Time enough to test the world famous, cost effective and eco friendly mosquito repelling sheets. S says that they work. But then she would wouldn't she?!

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Part III: A Teardrop On The Cheek Of Time: Taj Mahal

It took nearly 22 years to build the Taj Mahal. I thought it would take me almost as long before I got around to finishing my Agra trilogy!There is so much that can be written about this monument that has come to symbolise India, that I hardly know where to begin.


The first time I saw the Taj, I must have been around five or six years old. After a day spent going around in a horse drawn 'tanga' we finally saw it in twilight. I seem to recall seeing it bathed in moonlight. Maybe my memory has faded and imagination has taken its place - people ought to see Taj Mahal in moonlight. But the image in my mind is beautiful.

We entered the Taj complex at 3pm. Not the best time to see it - April and that too a Sunday. Take my advice people, if you plan to go here, then early mornings are the best time. The complex opens at 6am. Without the multitudes thronging the grounds, you will have a peaceful visit and actually be able to appreciate the splendour of this grand monument. Do not get taken in by the guides / touts who say that the line is very long and they will get your ticket for an extra payment. The line is long no doubt, but it moves fast.

Armed with our tickets, we moved towards the enormous gateway leading to the Taj. This itself is a lovely structure in warm red sandstone with marble inlay work. I was apprehensive - what if my imagination was all wrong and all that people say about this wonder of the world is hype? What if I was underwhelmed and felt let down? I need not have worried.

Through the gateway, the Taj appeared as an enormous white monument - almost like looking at a giant beast through the keyhole. The visual impact is powerful.

As I emerged out of the gateway, the entire Taj complex lay  sprawled before me. The white marble edifice, the green gardens and the thronging tourists. The sheer beauty and elegance of the monument diffused through my mind. I was reminded of the poem 'Tiger' by William Blake which celebrates the beauty of that powerful beast. Yet, some lines could be applied to the Taj as well: "What immortal hand or eye, Could frame thy fearful symmetry?"

As we walked towards the mausoleum, it seemed to grow in size and was towering over us. I recalled an alternate theory surrounding the history of the Taj.  


Shahjahan is described by historians as arrogant and vain. He was the emperor of the largest empire of his time and lord of immense wealth. Many of the most beautiful monuments of the Mughal era were commissioned at his command. He gave himself titles like "Lord of the Age", "Shadow of God", "August Representative of God on Earth". Modern researchers consider these important indicators in analysing his motives for the construction of the Taj Mahal. That he seemed to think he was God's representative on earth.

With this as the backdrop, the design of the actual Taj Mahal site and the inscriptions which adorn its structures take on a different significance. An Islamic academic treatise which existed at that time laid out the  plan of Paradise on The Day of Judgement. Comparison of this plan with the layout of the Taj Mahal gardens shows remarkable similarities like: four rivers, a tank of abundance and the Throne of God in very similar layouts. Unlike most Mughal mausoleums which are placed at the center of their sites, the Taj is placed at its far end. Put these indicators together and they seem to suggest that Shahjahan was creating at least a replica of heaven. 

So were the accounts of Shahjahan's undying love for Mumtaz Mahal just highly exaggerated accounts of his courtiers and chroniclers? Francois Bernier, a French traveler has written that he remained 'constant' to his dead wife till his own death. Now consider this in light of his sojourn in the Mussamman Burj.
 
The Mussamman Burj are the royal chambers in Agra Fort, to which Shahjahan was confined by Aurangazeb. As you know, there was a battle for succession amongst Shahjahan's four sons in which Aurangazeb triumphed. He imprisoned his father at the Mussamman Burj for eight years. Built of white marble with rich inlay work, the chambers hardly look like a prison. Legend has it, that the aging monarch lay here, gazing at the Taj, on the other side of the Yamuna. The picture of romance and heart break. But, cynic that I am, the picture doesn't quite ring true. Here's why.

The story that Shahjahan remained sexually faithful to Mumtaz is pure humbug if you ask  me. He was known to be a man with a huge sexual appetite. In fact, it is rumoured that he had an incestuous relationship with his daughter Jahanara on grounds that it would be "unjust to deny the king the privilege of gathering fruit from the tree he himself had planted." Mumtaz Mahal died at the age of around 39 (in child birth while bearing him his 14th child) and Shahjahan at 74 (overdosing on aphrodisiacs according to some accounts). That would mean close to 35 years of celibacy for an Emperor who considered himself King of the World!!

I see that I've wandered far away from the monument into speculation of the lives that are linked with its history. But in my opinion, that is what makes the Taj Mahal fascinating. The stories behind its splendour and magnificence. The stories that lie in the shadow of its shining white marble-War, blood, betrayal, fratricide, incest.

Before I close, I want to share one more thing. A few years ago, I attended a conference on public health. An IAS officer was slotted to speak on government schemes on maternal health. I will never forget his opening slide. It was a picture of the Taj Mahal - that wonder of the world, the pride of India. But also, a monument of grief, symbolising the death of a woman - who was married at fifteen, endured fourteen pregnancies and died in child birth. And that my friends, is the teardrop on the cheek of time.




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Part II: Time And Timelessness - Agra Fort

Apologies everybody. I've been very tardy about updating my blog. The past few weeks have been so busy - work, home, work, home - that all I could do at the end of each day was fall exhausted into bed and sleep like the dead. Well here I am, on a lazy Sunday (oh! Its been so long since I had one), nothing much to do except update my blog.
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Our next stop was at the Agra Fort. Built of the red sandstone so typical of  the Mughals ,this timeless piece of architecture truly deserves its status as a World Heritage Monument. It has been home to the greatest Mughul emperors at some point or other. Babur lived here for a while after defeating Ibrahim Lodi. Humayun was crowned here. Akbar rebuilt the fort and declared Agra his capital. The fort as we know it today was built by Shahjahan.

Amar Singh Gate
We entered the fort via the Amar Singh Gate and engaged a guide. A word of advice to those who are not so aware about the Fort's history. It is a good idea to engage a guide. They charge about Rs. 400 for a full guided tour. Bear in mind however, that their accounts may not be historically accurate. So, if you're serious about learning the Fort's history, do some reading before or after your visit. If you're interested only in soaking up the history and ambiance of the place, then the guide's account would be more than enough. Peppered as it is with folk lore and legend, it makes for a romantic hearing.

As we entered the fort area, we crossed a deep moat. The guide informed us that during the reign of the Mughals, there was a 'double moat'. One filled with water and crocodiles and another that was forested and had wild animals to provide a double safety cordon. I have heard about the water moat of course. Most forts have it. But it was the first time I heard about the wild animals moat. And I think it is what historians would call 'an interpolation' although it sounded very grand!

Jahangiri Mahal
The Jahangiri Mahal inside the fort, is a beautiful palace made of red sandstone and used to be the main residence of Akbar's  Rajput wives. Architecturally speaking, the palace incorporates Central Asian design features with Rajasthani styles. The guide however, spiced it up with a story of how Akbar, being of a secular bent of mind, used Hindu, Muslim and Christian features in the construction of this palace. He added that Akbar had a Hindu, Muslim and Christian wife and probably wanted to please all three of them. He demonstrated it by showing us the Chatris sitting atop slender, elegant columns, symbolising Rajput / Hindu influence. Then he showed us the arches typical of Islamic construction and finally, a Magen David inlaid in white marble on the elaborate red sandstone gateway into the palace. He did not realise that the Magen David is a  Jewish symbol.

See the 3 Magen-like stars at the top?
While I knew all about Akbar's interest in world religions and the Din-i-Ilahi and also about his Hindu wives, this was the first time I was hearing about a Christian wife. Perhaps there was some Portuguese connection here? After all they had started arriving in India around this time. The guide told us that the Christian wife's name was Mariam. When I looked it up, it said that Akbar married a Rajput princess called Harka Bai who became Mariam-uz-Zamani. She was the mother of Jahangir and was also known as Jodha Bai. So it appears that Akbar did not have a Christian wife after all.

What about the Magen David then? Not much information online. Except a blog reference that said it is not a star of David, but a Hindu symbol. The circle in the middle of the star is an important distinguishing feature. I really must check out these facts with my history prof.

Jahangir's Hauz
Pic courtesy: Flickr
Right outside the Jahangiri Mahal is a very interesting thing - Jahangir's bath tub or Hauz. I kid you not! Take a look at the picture. It looks like a large cup without a saucer! It was made in 1611 and is hewed out of a single piece of stone. It is 5 feet high and 8 feet in diameter at the rim and has Persian inscriptions on its outer rim. There are even small steps leading up into the bath tub. Only a few of the steps survive today. The guide, adding his bit of garnish, said that it was covered in gold foil during its hey day. These royals sure had life easy. I wish I had a bath tub like this! Although perhaps it may not be entirely practical. I have an 8' X 5' bathroom and water is rationed. And given that I have a 'balti bath' daily and which I like very much, I may perhaps drown in such a large tub!

Moving ahead, we visited the Mussamman Burj where Shahjahan was imprisoned. But I will include that in my next post. From this we headed for the Diwan-i-khas or Hall of Private Audience. This had a splendid view of the Yamuna. From a black granite bench on the edge of the terrace, the Taj was visible in the hazy heat of the day. Drawing our attention towards it, the guide asked us to describe how it looked. It was a small, blurry speck in the distance. 'Hold that thought' he said. 

Angoori Bagh
From here we looked over to the enclosed quadrangle of the 'Angoori Bagh'. As the name suggests, it was a vine yard and soil had been brought in specially from Kashmir to grown the grapes. Skirting this, we moved over to the side directly opposite the Diwan-i-khas, passing the Sheesh Mahal where the public were not allowed, and the Ladies Bazaar to the administrative block. From here, the guide asked us if the Taj was still visible and how did it look. Indeed it was still visible and lo! it looked bigger in size than when viewed from the terrace near the Diwan-i-khas. This was an optical illusion he explained. When the Taj is viewed from the balcony of Diwan-i-khas, the river Yamuna is seen winding its way around it. This creates some sort of perspective effect that causes the Taj to look smaller than it actually is. When viewed from farther away, with the Yamuna out of sight, the perspective effect is negated, and the Taj is seen in its actual size. This piece of information did check out when I looked it up. 

Where the Peacock Throne was once housed

Diwan-i-Aam
Nearing the end of our tour, we approached the Diwan-i-Am or Hall of Public Audience where the Peacock Throne was once housed. It is a large hall with colonnades of arches. The throne room is located a few feet above ground and according to our guide, from here, each of the arched pillars is visible individually. The throne room is connected to the royal chambers and from here the royal ladies could witness the proceedings of the court. The courtyard outside the Diwan-i-Aam has the grave of an Englishman named John Mildenhall, apparently the oldest known European grave in Northern India.

This completed our tour of the fort complex. I emerged feeling all soaked up in  history and legend. If the walls, columns and latticed windows of this fort palace could speak, what would they have said I wonder? Would they have spoken of glory and power? Or the tears, sweat and blood that went into it? Do we know everything there is to know or have we only scratched the surface? I guess we can never be sure. 

PS: All photographs in this post are my own except the one of Jahangir's Hauz.

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Part I : Baby Taj

When Babloo, our taxi driver informed us that our first stop would be the 'Baby Taj', my friend and I were flummoxed. I am a student of history and I have never heard of anything called 'Baby Taj'.

The tomb of Itimad-ud-Daula, situated on the left bank of the Yamuna is locally known as 'Baby Taj' and considered the draft on which the Taj Mahal was designed. The tomb was built between 1622 and 1628, by Queen Nurjahan for her father Mirza Ghiyas Beg, who held the title 'Itimad-ud-Daula' or Pillar of the State. According to Wikipedia, and in fact, the plaque at the site, the masoluem marks a transition between two phases of Mughal architecture. The first which was dominated by the use of red sandstone and the second in which white marble figured prominently. 

Entrance to Baby Taj

The tomb is situated, like other Mughal buildings, at the center of a large quadrangle with four large gateways along its perimeter. The masauleum housing the cenotaphs are located at the center of a beautiful garden that is watered by shallow waterways fed by the river.
Frontal view of the tomb

Built on a raised plinth, the tomb is a graceful structure in white marble with elegant inlay work and latticed windows. In this tomb are also interred Nurjahan's mother and other relatives. Nurjahan herself is buried in Lahore. 
Cenotaphs of Nurjahan's parents
View of gateway from inside the tomb

It was just about 9 am when we visited the Baby Taj. The day was cloudy with a light breeze making the setting very romantic. The Baby Taj is not as frequented by tourists as the Taj. Without the crowds that throng the Taj, this masoleum offers a quiet and tranquil refuge to the dreamy tourist who wants to linger and savour the history of the place.
A latticed window



Standing at the gateway on the banks of the Yamuna and gazing at the city on the right bank, it is almost as if the river is the line that divides two universes. One covered in a cloak of history and another covered in the dirt and grime that signifies the march of civilization.
Two worlds

Entry fees for Indian nationals is a mere Rs. 10/-. There is also a pay and use toilet that is REALLY CLEAN! You may think I'm crazy to write about toilets after waxing eloquent on the architechural beauty of the tomb. Try taking the 6.15AM Shatabdi out of Delhi to Agra after a heavy dinner the night before and you develop a whole new appreciation for clean pay-and-use facilities!!

Update: 

Before I move onto writing about the Agra Fort, I must tell you about this book I am reading. Its called 'The Shadow Princess' by Indu Sundaresan, part of her Taj Trilogy. The book traces the life of Princess Jahanara, from the time of her mother, Mumtaz Mahal's death, through the power struggle among her brothers, till Aurangazeb becomes the Emperor.

The book is dotted with descriptions of all the lovely places I saw during my visit to Agra. It gives a detailed descriptions of the Baby Taj and how Nurjahan was closely involved in its design and construction. Unfortunately, according to the book, she did not stick around to see it to completion. After Jahangir's death, she became persona non grata with the new Emperor (not that there was any special love between them before that!) and was sent away to spend her remaining days in Lahore. But Shahjahan did acknowledge her genius in designing the Itimad-ud-Daula's tomb and borrowed ideas while designing and executing his ode to love, the Taj Mahal.

Do read the book if you are into historical literature. 

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India's City of Love - Agra

If Kolkata is the City of Joy, then perhaps Agra is India's City of Love. Situated at a distance of 200km from Delhi, Agra served as the capital of the great Mughal Empire during the peak of its power. Today, Agra is best known as the home of the world's greatest monument for love - The Taj Mahal.

A few weeks ago, I had the opportunity to visit Agra and soak in its history. Over the course of a day, I visited three monuments: The tomb of Itimad-ud-daula, the Agra Fort and of course, the celebrated Taj.

I plan to write about my Agra visit in a three part post - each post dedicated to one of the three monuments mentioned above. I know that reams and reams have been written about these already. But I hope that my take will be unique enough to make it an interesting read.

All photographs featured in the posts are taken from my camera - except perhaps for a few at the Taj. The camera battery had dwindled by then. I may have to borrow pictures from the net.

Hope you will like these posts....

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